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NINA ISKRENKO’S POETRY: FROM AUTHOR’S MASK TO LYRICAL SUBJECT

TREE AS A MYTHICAL-POETIC SYMBOL IN RUSSIAN NATURAL-PHILOSOPHIC PROSE OF THE 1970S–1980S

V. GROSSMAN’S SHORT NOVEL ‘THE PEOPLE ARE IMMORTAL’: POETIC IDEAS AND THEIR EMBODIMENT IN THE IMAGE MATTER OF THE WORK

‘NOVELLA ABOUT SONECHKA’ ЬУ М. TSVELAEVA: THE PROBLEM OF FEMININE SUBJECTIVITY

TIME AND PLACE RELATIONSHIPS IN THE NOVEL ‘SATAN‘S DIARY’: L. ANDREEV’S WORLD MODEL

THE ‘CHILDISH’ AND THE ‘O1D-AGE’ IN LS. TURGENEV‘S POETICS

DON JUAN AND LAURA (A.S. PUSHKIN’S TRAGEDY ‘STONE GUEST‘)

WORD AND IMAGE IN K. BATYUSHKOV’S ELEGY ‘TAVRIDA’

THE KIRSHA DANILOV’S COLLECTION AND THE SECOND CURRENCY OF BYLINAS

PHILOSOPHY OF LITERATURE

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