Authors
- Stemberger Martina Doctor of Philology
Annotation
This article investigates some aspects of the intercultural and intertextual Franco-Russian polylogue at the beginning of the 21st century, on the
basis of the example of the work and the Russian reception of the French
writer Frédéric Beigbeder, who is very popular in Russia. From the point of
view of comparativist imagology, it analyzes the representation of contemporary Russia in Beigbeder’s oeuvre. On the stylistic and thematic levels,
Beigbeder’s work seems to be perfectly at its place within the contemporary
Russian literary landscape; this is illustrated by diverse, commercially very
successful “transplantations” of typically Beigbederian plots and characters
into a Russian context (as, for instance, in the work of the “Russian Beigbeder”, Sergei Minaev).
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