Authors
- Pavlovets Mikhail Ph. D. (Candidate of Philology), Associate Professor
Annotation
Since the Soviet audience became aware of the existence of “concrete”
poetry in the foreign literature, modern scholars have been repeatedly turning their attention to the similarity between European “concrete” poets and
members of the so-called “Lianozov poetry school”. This research explores
such similarity through works by Genrikh Sapgir, one of the most famous
“Lianozov” poets. His familiarity with German “concrete poets” was predestined by the similar development of their creative literary work, and resulted
in G. Sapgir’s translations of “concrete” poems by Franz Mon, Eugen Gomringer and others. He also composed original poetry based on the principle
of combination and permutation.
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