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POETICAL REPRESENTATION OF THE NATIONAL ARTISTIC WORLDVIEW IN THE RUSSIAN-LANGUAGE BELARUSIAN POETRY OF THE “CULTURAL FRONTIER” (L. KRASEVSKAYA AND A. AVRUTIN)

Literary Сriticism , UDC: 821.161.1.09 «18» DOI: 10.25688/2619-0656.2022.16.02

Authors

  • Zhigalova Maria Doctor of Pedagogical Sciences, Professor

Annotation

The article analyzes the most complex phenomenon of modern literature — transcultural poetry of the Russian-Belarusian borderland with access to a multicultural polylogue. The interpretation of the artistic pictures of the world of two congenial Russian-speaking poets of Belarus — L. Krasevskaya and A. Avrutin — is accompanied by conclusions of a comparative-analytical plan, allowing determining the typology of the lyrical Russian-language poetic text and highlighting the original author’s model of the world. The author of the article focuses on the figurative-metaphorical, semantic-symbolic components of their poetry and notes the tendency to move from the personal to the universal existential. Emphasizes a special form of Krasevskaya’s multicultural patriotism, associated with the inseparability of the “two motherlands” in her creative worldview. Moreover, nostalgic longing for them is recorded in poetic images that have a multicultural character. This kind of multiculturalism is also revealed in the author’s aesthetics of Avrutin, representing the polylogue of the material and spiritual spheres of the lyrical hero as a special form of noospheric consciousness.
Tags:
cultural frontier , ethnovitality , multiculturalism , poetic world model , transculturality , А. Аврутин , Л. Карасевская

How to link insert

Zhigalova, M. . (2022). POETICAL REPRESENTATION OF THE NATIONAL ARTISTIC WORLDVIEW IN THE RUSSIAN-LANGUAGE BELARUSIAN POETRY OF THE “CULTURAL FRONTIER” (L. KRASEVSKAYA AND A. AVRUTIN) Bulletin of the Moscow City Pedagogical University. Series "Pedagogy and Psychology", № 16, 2022, 28-46. https://doi.org/10.25688/2619-0656.2022.16.02
References
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